Tichý is truly one of the great ‘finds’ of an unknown artist who worked on the outside edges of the art world. Born in 1926, he attended the Academy of Fine Arts in Prague in the late ‘40s and produced figurative paintings that were, apparently, of a vaguely modernist character. Alienated from the prevailing Communist regime, he turned his back on the official art world and withdrew to a life in isolation to live quietly and poorly in the small Moravian town near Brno where he was born. His generally nonconformist way of life led to run-ins with the authorities; following the communist takeover Tichý spent some eight years in prison camps and jails for no particular reason other than he was ‘different’ and was considered subversive. Upon his release in the early 70’s, Tichý wandered his small town in rags, pursuing his obsession as an artist with the female form by photographing in the streets, shops and parks with cameras he made from tin cans, and other junk he found on the street - even his lenses were cut from Plexiglas or children’s spectacle lenses and polished with a mixture of toothpaste and ashes.. He would return home each day to make prints on equally primitive equipment, making only one print from the negatives he selected.
For a long time, Tichý was something between a charming oddity and a local bogeyman. He was frequently arrested for hanging around the local pool and snapping pictures of unsuspecting women. The fact that this was all occurring under an oppressive Communist regime added a certain air of rebellion to the proceedings, whether or not he intended it. With time, the locals grew accustomed to his presence and would often welcome having their photos taken.
He produced work – not for others, but solely for himself without any regard for exhibiting or selling the work to others. Tichý’s pictures were only known to a few until July 2005, where he won the New Discovery Award at Arles. An exhibition of his work was also shown at the Kunsthaus Zürich in September 2005, and was one of the most curious and perhaps controversial photographic events of 2005.
