NAMI
NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI.
KAWA
Buddhist monk Kajii made his name with the award-winning work NAMI – Waves – in 2004; the following year he was named Newcomer of the Year by the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn his hypnotic attention to rivers. Every page of this lucid, crystalline series is awe-inspiring. Ultra-real close-ups of splashes, their droplets like pearls; frozen rocks and plants on riverbanks; shimmering surfaces of rivers in rain; the kinetic energy of underwater waves and fish; night-time lights like electric charges, shooting across dark water. With the variety and simplicity of these astonishing images, Kajii has achieved his stated aim of making the act of photography akin to the chanting of a sutra.
TSUKI
TSUKI, made of both photographic images as well as the artist’s first video work, which he made especially for the Rietberg’s museum show Mysticism – The Longing for the Absolute in Zurich, Switzerland. Rather than focusing on art, aesthetic and iconography, Mysticism engages with spiritual experience, displaying the diversity of mysticism that spans from Europe to Iran, India and the Far East. Kajii was inspired for his latest works by the Soto school of Zen, a Buddhist school founded by the Japanese Zen Buddhist teacher Dogen. With these works the artist present us with visuals that are calm yet restless at once, portraying the moon’s light in the Japanese sea as simultaneously unnerving and still. Symbolic and accidental alike, specks of light lightly dance on the water’s dark surface, inviting the viewer to absorb and engage with the Soto pursuit of ‘unity of practice and enlightenment’.