NAMI II
NAMI
NAMI is a series of photos of waves around the shores of Sado Island in Japan. The photographer, a young Buddhist monk named Syoin Kajii, watches the water patiently, waiting for a moment of surprise. The photographs are truly stunning. The artist captures the power and dynamism of the ocean and waves, a stark contrast to the tranquil seascapes by Sugimoto. By carefully gauging the speed of the wind and level of the wave, he waits for nature to create the image. These works are close ups, the artist is practically in the water. Syoin Kajil is the winner of the first Foil Award, for which the prize is the publication of NAMI.
KAWA
Buddhist monk Kajii made his name with the award-winning work NAMI – Waves – in 2004; the following year he was named Newcomer of the Year by the Photography Society of Japan. KAWA, a book and exhibition at Tokyo's Foil gallery, sees Kajii turn his hypnotic attention to rivers. Every page of this lucid, crystalline series is awe-inspiring. Ultra-real close-ups of splashes, their droplets like pearls; frozen rocks and plants on riverbanks; shimmering surfaces of rivers in rain; the kinetic energy of underwater waves and fish; night-time lights like electric charges, shooting across dark water. With the variety and simplicity of these astonishing images, Kajii has achieved his stated aim of making the act of photography akin to the chanting of a sutra.
TSUKI
TSUKI, made of both photographic images as well as the artist’s first video work, which he made especially for the Rietberg’s museum show Mysticism – The Longing for the Absolute in Zurich, Switzerland. Rather than focusing on art, aesthetic and iconography, Mysticism engages with spiritual experience, displaying the diversity of mysticism that spans from Europe to Iran, India and the Far East. Kajii was inspired for his latest works by the Shingon school of esoteric Buddhism, a tradition founded in Japan by the monk Kūkai (also known as Kōbō Daishi). In this work, Syoin Kajii draws inspiration from Gachirin-kan – an ascetic practice in which the light of the full moon is quietly visualised within the mind. Rooted in the tradition of Esoteric Buddhism, this contemplative exercise serves to calm unsettled emotions and to create space for a deeper encounter with stillness.