Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching. In his hands, the documentary power of the camera merges with the ingenious power of his imagination to look into a person’s soul and get under the viewer’s skin. Elaborately produced between 2015 and 2020, his new project is called Roger the Rat. In oppressively sharp black-and-white shots, he follows the life of a creature whose body appears human, but who has the head of a rat. Picture after picture, we witness scenes that—deconstructed and wrested from everyday gestures—reveal the suppressed aspects of human existence.

Considered one of the most original image-makers of the 21st century, American-born photographer Roger Ballen has lived and worked in South Africa for four decades. ‘Asylum of the Birds’ is set within the confines of a makeshift house on the outskirts of Johannesburg, a place inhabited by individuals at the absolute margins of society. In this anarchic place, the human and animal inhabitants collaborate as Ballen’s cast in an on-going series of quasi-directed performances. As we enter Ballen’s layered netherworld the images simultaneously repel and compel our gaze and transport us to an even darker dream world, that of the fears within our own imagination. The omnipresent birds, both alive and dead, signal a foreboding reminiscent of Hitchcock, while simultaneously suggesting hope and freedom. While the word ‘asylum’ could be defined a place of insanity, it also suggests refuge and persists in our mind as a metaphor for redemption.

‘My purpose in taking photographs over the past forty years has ultimately been about defining myself. It has been fundamentally a psychological and existential journey.’ – Roger Ballen